History of the Occult
A 2020 thriller horror film presented as a 1980s TV news finale.
History of the Occult (Spanish: *Historia de lo Oculto*) is a 2020 horror-thriller and the feature directorial debut of writer-director Cristian Ponce. Co-produced by Argentina and Mexico, the movie is structured as the last installment of a fictional late-night Argentine news show from the 1980s called *60 Minutos Antes de la Medianoche*. In this broadcast, the program’s journalists try to uncover a plot linking their own government to a shadowy corporation involved in black magic.
Shot in black-and-white, the story takes place in Buenos Aires in 1987 during the final airing of *60 Minutos Antes de la Medianoche*. The show had been canceled after a year-long investigation into President Belasco’s economic policies, corruption, and rumored occult connections. The episode starts at 11 p.m., just before a midnight protest against the president. Host Alfredo interviews Senator Matías Linares, sociologist Daniel Aguilar, and Adrián Marcato—vice president of Kingdom Corporate, Argentina’s largest company and a suspected warlock. Two of these guests appear in a notebook found at a ritual murder linked to political killings. Meanwhile, the show’s producers—Maria, Lucio, Jorge, and Abel—watch from a safe house, hoping Marcato will implicate Belasco live. Their colleague Natalia searches the city for a hidden artifact crucial to the case.
During the interview, Marcato asks Linares how many daughters he has. Linares says two, but Marcato insists there are three, claiming Linares “gave up” the youngest and forgot her. The argument escalates, and Linares leaves. Marcato then discusses alternate realities, suggesting Linares’ third daughter no longer exists in “this” reality. At the same time, the journalists receive hallucinogenic tannis root from Von Merkens Labs—Belasco’s political rivals and the show’s only remaining sponsor—and use it in a ritual to help Natalia find the evidence before midnight.
Marcato calmly admits on air that he is a warlock, trained in dark arts by his grandmother as a child. Jorge starts seeing visions of a red light and asks Maria how many children each man in the conspiracy has. Her answers match their records, including that Marcato has no children—contradicting a caller who made obscene remarks about Marcato’s daughter. When Aguilar mocks Marcato, Marcato makes him bleed from his nose and eyes. Following Abel’s instructions, Maria, Jorg
- Release year
- 2020
- Director
- Cristian Ponce
- Country
- Argentina and Mexico (co-production)
- Genre
- Thriller horror
- Format
- Black-and-white film
- Premiere
- 8 September 2020 at MOTELX (Lisbon International Horror Film Festival)
- Streaming debut
- 15 October 2021 on Netflix (Spain and Latin America)
Lore & Background
The film is set in 1987 Buenos Aires and unfolds over the final broadcast of the journalistic late-night show 60 Minutos Antes de la Medianoche, cancelled after a year-long inquiry into President Belasco's economic policies, corruption, and alleged occult ties. Host Alfredo interviews Senator Matías Linares, sociologist Daniel Aguilar, and Adrián Marcato, vice president of Kingdom Corporate and a rumored warlock. During the live interview, Marcato claims Linares has a third daughter he does not remember, speaks about alternate realities, and admits to being a warlock. The show's producers—Maria, Lucio, Jorge, and Abel—monitor events from a safe house and use hallucinogenic tannis root from Von Merkens Labs in a ritual to help colleague Natalia locate a hidden artifact.
Reader's Guide
History of the Occult premiered at MOTELX in Portugal on 8 September 2020 and later screened at virtual editions of Spain's Sitges Film Festival and Argentina's Mar del Plata International Film Festival in 2020. It was made available for streaming on Netflix in Spain and Latin America on 15 October 2021, on HBO Max in Central Europe via WarnerMedia, and on Screambox in North America in December 2022. Filming took place in La Plata, Buenos Aires, Argentina. Andrew Mack of Screen Anarchy called the film 'a thinking person's horror thriller, not one for idle minds. Staying with this cryptic mystery all the way through to its 'effect ending' will be rewarding once you have deciphered it.'
Did You Know?
- The film is presented as the final episode of a fictional 1980s Argentine television news program titled 60 Minutos Antes de la Medianoche.
- The film was shot in black-and-white and shifts to color at the end.
- The artifact central to the plot is revealed to be a modern-day smartphone.
- The film was an international co-production between Argentina and Mexico.
Frequently Asked Questions
What is History of the Occult?
Historia de lo Oculto is a 2020 Argentine-Mexican horror-thriller that presents its story as the final broadcast of a fictional 1980s late-night news program. It marks the feature directorial debut of writer-director Cristian Ponce.
Who made History of the Occult?
Cristian Ponce both wrote and directed the film, which was co-produced by Argentina and Mexico. It had its world premiere on September 8, 2020, at the MOTELX Lisbon International Horror Film Festival.
What is the format of History of the Occult?
The movie is shot entirely in black-and-white and structured as a single television news broadcast, mimicking the aesthetic of an 1980s Argentine late-night show. This diegetic framing means the horror-thriller unfolds within the world of a fictional program called 60 Minutos Antes de la Medianoche.
What is the plot of History of the Occult?
Set in Buenos Aires in 1987, the story follows the journalists of a fictional news show as they investigate a conspiracy linking their government to a shadowy corporation involved in black magic. The narrative takes place during what is presented as the program's very last airing.
Why is History of the Occult significant in Argentine horror?
Its central conceit—embedding a full horror-thriller inside the diegetic world of a 1980s television news finale—gives it a distinctive period texture unlike most Argentine genre films. The commitment to black-and-white cinematography and the broadcast framing make it a standout example of formal experimentation in the country's horror tradition.
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